Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. It’s important to keep the tone settings up pretty high when using either drive or you’ll risk losing a little air and dynamics. It contains the Keeley Two Knob Compressor, the 1962 Overdrive, the … Overall, Keeley Delay Workstation is a well-engineered, well-designed multi-effects pedal. Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils. The best is the middle part of the pedal: the Katana boost is highly effective and sounds very well. The Tone Workstation–reinvented, re-engineered, re-released for 2016–is the final word on your front end. The Keeley Tone Workstation is an excellent solution to have 3-4 pedals in a compact and reasonably priced (for a boutique pedal) solution. As you add sustain, your notes will ring out longer. The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils. Dealers Distributors for Guitar Effects Pedals, Keeley and MannCorp for Circuit Board Manufacturing. The Tone Workstation has a bit of a back story. Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. Compression, Drive, Overdrive, Boost: you get it all here. If you just have this pedal and the Keeley Tone Workstation, you’ll be good for many, many situations. The Red Dirt is what happens when Robert Keeley puts all of his 15 years of TS-modding experience into a single pedal. The Super Mod Workstation contains many of Keeley… The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. You get 15 years of modding tube screamers distilled into one toneful circuit. In 2026, you’ll wished you’d grabbed two. The 2016 Keeley Tone Workstation. John Mayer recently took two of the originals out on the Dead & Company tour. Typically these effects are best used after overdrives and distortions, so they match perfectly in the Mod Workstation. The first stage of amplification is critical for a sound that has clarity and delivers expressive tone. Last in the chain is our renowned Red Dirt overdrive. The Tone Workstation is designed to be the first stage in your pedal board. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. It’s a well-thought-out smorgasbord of sonic handicraft. Try the Flanger or the Random Sample & Hold Filter settings. The Tone Workstation–reinvented, re-engineered, re-released for 2016–is the final word on your front end. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. With the 62/Katana channel, you can select a sound with just the right amount of break up. The Blend control is perfect for adding a little bit of bite back in with high output pickups or humbuckers. Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. For 2016 it’s more than a re-release; it’s a completely new, re-engineered workstation. For 2016 it’s more than a re-release; it’s a completely new, re-engineered workstation. Dimensions are 4.7 Inches wide x 3.72 Inches tall. Makes it full with lots of sustain. In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression. When the Blend is set completely CCW, you get only compressed signal out. Keeley's best TS-style tones. John Mayer recently took two of the originals out on the Dead & Company tour. The 1962 setting is an awesome flat drive. The 1962 overdrive is exceptional, the best overdrive I ever had. Makes it full with lots of sustain. The Red Dirt circuit captures every nuance of your guitar’s tone and delivers a classic, smoking hot, silky smooth lead tone. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! Keeley Delay Workstation is a great delay and reverb pedal with so many features and functionality. The Keeley Tone Workstation is an excellent solution to have 3-4 pedals in a compact and reasonably priced (for a boutique pedal) solution. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation. This inspired Robert Keeley to re-design and re-release the Tone Workstation. The best is the middle part of the pedal: the Katana boost is highly effective and sounds very well. Keeley Electronics Tone Workstation Multi-Effects pedal reviews, video demonstrations, and pedalboard settings. The front end of your signal chain–this is where your tone develops. Ratings. Keeley built a small batch of them about 10 years ago - giving them the status of collector's items these days, of course! Just got my Keeley Tone Workstation on Tuesday! The 1962 setting is an awesome flat drive. The Tone Workstation is based on Keeley’s Compressor, their Katana Boost, the 1962 and Red Dirt overdrive boxes. The Blend control is perfect for adding a little bit of  bite back in with high output pickups or humbuckers. Last in the chain is our renowned Red Dirt overdrive. No worries. Or use it in Boost mode, for that clean, pushed amp-style overdrive. Never been a compressor guy, but I love how this makes my Doozy sound. It may even be the only pedal you bring to a gig. But, decide you just want the famous Katana Clean push? The last stop on the Tone Workstation is a Keeley Red Dirt overdrive. It’s a clean sound people say you just can’t turn off. The Keeley team of engineers and designers have upgraded the tone, enhanced the features, and reduced the size to now fit on anyone’s board. First, the 1962 is our British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. In short: there are no weak spots. Keeley Electronics Tone Workstation Multi-Effects pedal reviews, video demonstrations, and pedalboard settings. View our Keeley new and discontinued pedals. John Mayer recently took two of the originals out on the Dead & Company tour. Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. The 1962 overdrive is exceptional, the best overdrive I ever had. The Tone Workstation is designed to be the first stage in your pedal board. I bought it to replace a Fulltone Fulldrive 2, Xotic Effects RC Booster, and a Wampler Euphoria. Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. It’s a well-thought-out smorgasbord of sonic handicraft. When the Blend is set completely CCW, you get only compressed signal out. The 2016 Keeley Tone Workstation. Compression, Drive, Overdrive, Boost: you get it all here. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone. The Keeley team of engineers and designers have upgraded the tone, enhanced the features, and reduced the size to now fit on anyone’s board. Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two! And we designed it that way. Adjust the Sustain control for increased compression or squeeze. John Mayer recently took two of the originals out on the Dead & Company tour. The Super Mod Workstation … Add tap tempo and an expression pedal and you have all the tools at your disposal to create a mesmerizing array of sounds. I figured that his products have never let me down, and if this Workstation lived up to his, and his company's, reputation I would be getting a thousand dollars worth of his pedals for a third of the price. You'll still love the character of a well-voiced midrange hump. Designed to be the first stage in your pedal board it may even be the only pedal you bring to a gig. Adjust the Sustain control for increased compression or squeeze. The front end of your signal chain–this is where your tone develops. Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio. Waves Upon Waves First, the 1962 is our British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Never been a compressor guy, but I love how this makes my Doozy sound. The pedal can cover the majority of your “front-end” needs: compression, tone shaping, overdrive and distortion, and boost. But a JFET front end allows the pedal to feel much more amp-like. I bought it to replace a Fulltone Fulldrive 2, Xotic Effects RC Booster, and a Wampler Euphoria. The Super Mod Workstation is an exercise in swirly opulence. As you add sustain, your notes will ring out longer. The 2016 Keeley Tone Workstation. Helps the middle position ring out clearer. Or use it in Boost mode, for that clean, pushed amp-style overdrive. However, I’m happy to report that the Keeley Super Mod Workstation takes a sharp left turn from the pack and delivers a surprisingly solid overall experience. With the Super Mod Workstation you can combine 2 effects together to create a nearly endless soundscape of tones. But they came into the public eye again when John Mayer recently took two of the originals out on tour. Next up is the 1962/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone. Starting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain. You get 15 years of modding tube screamers distilled into one toneful circuit. And we designed it that way. The Red Dirt circuit captures every nuance of your guitar’s tone and delivers a classic, smoking hot, silky smooth lead tone. John Mayer recently took two of the originals out on the Dead & Company tour. Pros: ... Keeley Mod Workstation robertkeeley.com. Get Drenched. Just got my Keeley Tone Workstation on Tuesday! Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50/50 ratio.

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